Skip to main content

Daniel Jewel's "The Secret World of Foley"

Three minutes into this docu short and I already knew I had to write about it. The Secret World of Foley follows the journey of British Foley artists: Sue Harding (Les Misérables, The Imitation Game, and Philomena) and Peter Burgis (V for Vendetta, Harry Potter and the Deathly Hallows, and The Danish Girl) as they perform the art of Foley for a film titled Clovelly. Throughout this thirteen-minute short, we see the pair perform all sorts of sounds to match that of what is going on in Clovelly, a fishing village in England. The Foley studio where the magic is seen happening is inside the prestigious Pinewood Studios (if you're not a sound nerd, but you love Star Wars then you might recognize this name!).



Left to Right: Sue Harding and Peter Burgis
There is no better representation of what goes on inside this section of the world of audio post production than this documentary short. When I first hit play I started to listen to it through my laptop speakers, but I quickly had to pause it and ran to get my professional headphones. This is pure ear candy from beginning to end. 

Everything about it is perfection; I saw it as more than a tribute to everyone that is part of the Sound Department in the entertainment world. The way they perform each single movement with detail, and the imagination behind the items/props used to recreate such sounds, this what Foley is. Yes, a fish swimming inside a wooden crate may seem as a fish swimming inside a wooden crate. In reality it may just be a hand moving inside a basket full of water.

I haven't done Foley since I was in college and that's because I missed the Foley sessions of a short film me and a friend were working last month which still makes me upset. Watching this made want to go back to some good old times, and of course it makes me want to watch this all over again. I recommend you look into the list of credits of this two talented individuals for the purpose of studying the Foley in their films, even if you've seen them already. I guarantee you that you will not see those films the same way.


That being said, you can watch "The Secret World of Foley" here





Popular posts from this blog

Oscar-Winner: A Look Into Hacksaw Ridge's Soundscape

If there's anything that pleased me more (apart from Moonlight winning Best Picture) as I watched the 89th Academy Awards was seeing Hacksaw Ridge win Best Sound Mixing.  Last year, I wrote about the technicalities of Mad Max: Fury Road, which won both awards in the Sound category of the Oscars . Going back, I realized that I never offered critical commentary or wrote about my own personal opinion--about how I, as a sound editor and designer thought of such work. That being said, I would like to do something different and guide you through my personal experience with the film. I remember going to the movie theater last November, meticulously choosing my seat to study the sound mix in the best possible way I could. There was something about this war film set in the 1940s that really made me curious about the sound team's approach given the fact that you can't actually recreate such sounds, and only the wonders of magic are able to preserve clean production d...

How Moby Dick Inspired the Sounds for Mad Max: Fury Road

 Last night at The 88th Academy Awards, Mark Mangini and David White won the Oscar for Best Sound Editing for their amazing work on Mad Max: Fury Road . To top it all, Gregg Rudloff, Chris Jenkins, and Ben Osmo won the Oscar for Best Sound Mixing for said film. What makes the sounds of Mad Max stand out from competition? I believe that it's fair to say it's the dedication to personify every sound that we hear throughout the entire movie; to make a fictitious atmosphere sound believable. Even if it was the smallest detail, the Sound Editors had one goal, and it was for the audience, as unrealistically as it looked, to be affected and to believe that what they heard truly happened in real time. The entire movie is dominated by intense vehicle sounds and war machines. There were a lot of visuals that needed to be accompanied by powerful sounds. Sound Editor and Designer Mark Mangini recently talked to The Frame about how he had some pretty interesting ideas whi...